Cesária Évora

Cesária Joana Évora  Mindelo, São Vicente, 1941 – Mindelo, São Vicente, 2011  Singer  First Cape Verdean to become an international celebrity, Cesária Évora put Cape Verde in the map, in the turn of the 20th to the 21st century. In a time that the media phenomena depend mostly on the Read more

Vuca Pinheiro

João José de Azevedo Pinheiro Nova Sintra, Ilha Brava, 1948 Instrumentist (guitar), composer Vuca Pinheiro begins his discography in 1985, with the album Força di Cretcheu, in which he presents mornas soloed on the guitar, favoring composers from his beloved island of Brava in his choice of repertoire: Eugénio Tavares, Read more

Bibliography

Some works in English on Cabo Verdean music Baptista, Candida Rose. KabuMerikanus – The Sum of US: Exploring the Cabo Verde/United States Musical Connection and Legacy. New Bedford: author’s edition, 2023. Barboza, Ronald. A salute to the Cape Verdean musicians and their music. New Bedford: Documentation and Computerization of the Read more

Bulimundo

Band, 1978 – Dec 2000; 2016  The band Bulimundo appears to the City of Praia’s public in 1980, as the first in a series of concerts organized at the Cine theater of the capital to celebrate the five years of independence of Cabo Verde. Until then, the band had been Read more

Candida Rose

Candida Rose Baptista New Bedford, USA, 1960 Singer, songwriter, educator Candida Rose In addition to a long artistic career as a vocalist of various genres, including R&B, spiritual, and jazz, Candida Rose has also become known as a Cape Verdean musical artist and educator. She is the granddaughter of Cape Read more

Creolized European Music

Gláucia Nogueira and Graham Douglas During the 19thcentury, European music (polka, mazurka, waltz, gallop, etc) and other expressions related to dance styles (cotillon, contradança, quadrilha) arrived in Cabo Verde and were the usual types of entertainment until the 1940s. From that point on, they were supplanted by new musical trends. Read more

Funaná

Gláucia Nogueira and Graham Douglas Funaná has relatively recent origins and a rich history of transformation. In its first iteration, it was performed with a diatonic button accordion, locally called a gaita, with the accompaniment of the fero, or ferinho, a metal bar struck and scraped with a knife or Read more

Talaia Baxu

Possibly related to the koladera, or resulting from a similar process, is the talaia baxu, taking its name from the town of Atalaia de Baixo, on the island of Fogo, where it probably originated, and is highly popular. In its tempo is very close to the koladera. Also, like the Read more